Now booking: East Coast for late January/ early February 2027!

Highlights from our Western U.S. tour:

Huge thanks to everyone who helped us make this tour happen! We had an amazing time: we visited 7 states, played 12 concerts, and spent 2 days in the studio recording new pieces with guest artists Ira Temple (voice) and Annie Aqua (violin)!

We will be releasing a new album in November, and are booking concerts on the US East Coast in late January/ early February 2027.

Upcoming concerts/ teaching:

July 25: Trinidad, CO: special guest with Jordan Wax and Gora Gora Orkestar at Temple Aaron’s Founder’s Day Celebration. More info here.

August 8-15: Iriquois Springs, NY— teaching for the first time at the East Coast Music and Dance Workshop! (aka Balkan Camp). I will be teaching Transylvanian Carpathian Ensemble and Transylvanian Fiddle classes! Registration info here.

August 17-23: Saint-Agathe-des-Monts, QC— returning to Klezkanada to teach Beginners’ Ensemble and help the amazing scholarship students excel! Registration info here.

About Zoë:

In a 150 year-old synagogue in Satu Mare, Romania, Zoë Aqua felt an inexplicable at-home-ness. The vaulted ceilings were painted with stars and every note pouring from her violin was bathed in heavenly reverb. An enthusiastic audience came out to hear her play compositions inspired by the lost music of the Jewish people that populated the city before WWII, assimilation and emigration broke the chain of cultural transmission. From 2021-2023, Aqua lived in Romania doing ethnographic research on a Fulbright grant to study Transylvanian folk music. Her performances in two venerable synagogues appear on her forthcoming live album, In a Sea of Stars, due out in Summer 2025. It’s a collaboration with three musicians from the folk revival scene in Cluj.

The Transylvanian fiddle sounds like the countryside looks — wild, raw and earthy. Every region has its own hyper-local style. In Mezőség, for instance, the powerhouse string bands emit a tidal wave of sound with hardcore melodies underpinned by purely major chords. In Szék, Aqua learned to play the brácsa (a flat-bridged viola) from a shepherd with 780 sheep, 5 goats and 4 dogs, which he used to scare away bears and ward off local thieves. In Maramureș, a rural region in the northern mountains, Aqua travelled the rutted roads full of horse carts and tractors to meet homesteading musicians whose minor modes and slow slides had traces of the kind of Jewish music prevalent there before the war.

In a Sea of Stars sees Aqua looking at klezmer music through a Transylvanian lens. For instance, “Suita Românească” begins with “Goldenshteyn învârtită,” a seldom-played melody that Aqua infuses with an irregular rhythm called învârtită. The rhythm comes from a Transylvanian couple dance originated from Romanian dancers, but became a key part of Hungarian dance sets as well. It's an example of different ethnic communities living side by side for centuries. The rhythm is hypnotic and the dance style smooth and gliding. The suite continues with “Bapolyer hârțag,” a well-known klezmer tune recast in a rhythm called hârțag. “Hârțag is a dance rhythm I associate with one of my mentors in Transylvania, the fiddler Ioan Hârleț ‘Nucu’,” explains Aqua. “When I think of him, I think of the rolling hills near his house on the edge of the town… an open field, people walking by with horses and carts, dogs running after every car.” Aqua is like a musical apothecary, collecting songs in the wild and then steeping, distilling and tincturing each one into a potent medicine.

Aqua was born and raised in Denver, Colorado. She played Suzuki violin while her dad led songs at their local synagogue and played klezmer music on the weekends. After college, Aqua lived in Brooklyn for a decade amidst a generous and progressive Jewish community that stoked her love of old klezmer recordings and her fascination with Eastern European music. She co-founded two klezmer bands, Tsibele and Farnakht, and was the full-time understudy for the Klezmatics’ Lisa Gutkin in the Broadway production of “Indecent.” Long passionate about teaching, Zoë holds two degrees in music education. She has performed at Philadelphia Folk Festival, Klezkanada Festival, Yiddish New York Festival and has toured in Germany, Austria, France, Hungary, Romania, and Turkey.

teaching

Zoë holds two degrees in music education. She taught elementary school general music and violin in the South Bronx, NY from 2012- 2020 and is passionate about early childhood music education.

In addition to her extensive work with children, she is a sought-after teacher of klezmer for musicians of all ages. She was the director of klezmer programming at the Brooklyn Conservatory from 2018-2021. Known as an experienced pedagogue, she has presented workshops at Klezkanada, Yiddish New York, Yiddish Summer Weimar, Friling Festival in Austria, and Klezmer Rendezvous in France, as well as coachings for community klezmer ensembles around the US.

Her educational interests include helping musicians of all levels improve their holistic musicianship in a supportive and encouraging atmosphere.

TRAINING & CERTIFICATIONS
Professional Level Certification, Music K-12, New York State Board of Education
Bachelor of Music in Violin Performance and Music Education, University of Michigan
Master of Music in Music Education, Ithaca College
Certified in Music Learning Theory— elementary General Level 1 and early childhood level 1
Certified in Suzuki Violin Book 1

a rave review for

In a Sea of Stars

A collection of live recordings from the Transylvanian Synagogue Tour is available now on Adhyâropa Records!

Thank you Songlines Magazine for this rave review!

Zoë’s BLOG

Hi! Thanks for reading my blog :) This blog is a place to record my thoughts and experiences during my Fulbright research grant during the 2021-’22 and 2022-’23 academic years.

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